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Download Sample Swf File Video. The project of the Catalan architect Oscar Tusquets Blanca also affected the area above, transformed into pedestrian zone and upgraded aesthetically. The communication between internal and external space is entrusted to the skylight-structures-that, from the street, carry the sunlight in the rooms below. On the first undergound floor the remains of the walls of the Aragonese period are integrated into the architectural design, while the cast of a plowed field of the Neolithic, found during the excavations of the station is displayed at the Station Museum, in 'Stazione Neapolis' in the corridor connecting with the National Archaeological Museum. In the coatings of this first level black predominates, an allusion to the asphalt of the contemporary city, which enhances the appearance of large mosaics by William Kentridge. The first is a long procession of dark figures, many of them inspired by the history of the city of Naples, led through music by the patron saint, San Gennaro.

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The background on which all the characters seem to pace slowly is the project for the Central Railroad for the city of Naples, 1906 (Naples Procession) which is also the title of the work. The second mosaic, located above the escalators, is titled Remediation of the slums of Naples in relation to the railway station, 1884 (Naples Procession). This time the design used for the background of the work is the famous first project for a subway in Naples, created by the versatile Lamont-Young. Going down to another level, upholstery colors change and we see a bright yellow reminiscent of the warm colors of the earth and the Neapolitan tuff, up to the level 0, or the sea level, indicated by the transition to spectacular mosaics of a blue which is becoming more intense as we go deeper. This brings us to a monumental underground room, dominated by the charm of the oval mouth of the Crater de luz, a large cone that crosses in depth all levels of the station, connecting the street level with the spectacular hall built 40 meters underground. Looking inside you can recognize at the other end the sun and a fascinating interplay of LEDs governed by the software programmed by Robert Wilson (Relative light).